Showing posts with label Maria Luisa Morando. Show all posts
Showing posts with label Maria Luisa Morando. Show all posts

Wednesday, April 27, 2011

Michael Eastman and Maria Luisa Morando Exhibitions on "The Photo Exchange"

dnj Gallery would like thank Jim McKinniss for his recent blog post on The Photo Exchange regarding Michael Eastman and Maria Luisa Morando's current exhibitions!

Plexagraphs and Silver are currently on view through May 28, 2011 at Bergamot Station, so be sure to stop by for a visit.

dnj Staff

Michael Eastman_GW #2_30x30
Michael Eastman, GW 2, 2010,
plexagraph (plexi w/lightjet print), 30" x 30"

Maria Luisa Morando_Silver V
Maria Luisa Morando, Silver V,
2009, c-print, 48" x 48"

Thursday, March 31, 2011

Opening Reception Photos: Michael Eastman & Maria Luisa Morando

Thanks to all who made it out for Saturdays opening for Michael Eastman and Maria Luisa Morando! Here are a few images to enjoy.

dnj Staff

Maria Luisa Morando Artist Talk - MOPLA Event

Maria Luisa Morando will be giving an artist talk here at dnj Gallery on Saturday, April 16, 2011 from 4-6pm in participation with MOPLA!

Maria Luisa Morando_Silver V
Silver V, c-print, 2010, 48" x 48"


Maria Luisa Morando: Silver

dnj Gallery, Bergamot Station, 2525 Michigan Avenue, Suite J1, Santa Monica, CA 90404

Admission: Free

Exhibit: March 26, 2011-May 28, 2011

Opening reception: March 26, 2011, 4-6pm

Artist talk in association with MOPLA: April 16, 2011, 4-6pm.

Maria Luisa Morando continues her comments on the ocean and the landscape of the coast. Like memories, her images are both familiar and elusive. Morando’s intentionally overexposed images erase the distracting details in the landscape and provide a moment or time without limit. Her scenes offer a true sense of space. As the art critic Michael Buitrón writes, “Because of the lack of sharp detail, it becomes impossible to explore the images for their specificity, and instead they open up and play to any seaside memory the viewer cares to pour into them.”

Maria Luisa Morando is collected privately throughout England, France and Italy and recently sold two photographs at the Foundation For Woman Artists in London England. She has exhibited across the United States, with an emphasis in Southern California.

Buzz Spector Comments on Michael Eastman and Maria Luisa Morando Exhibitons

Buzz Spector -- “I just want to say how good a pairing you’ve made of Eastman’s Plexagraphs and Morando’s overexposures. Here you have two photographic projects in which images of distance that are also emotionally distancing are countered by phenomenal affects that draw viewers back in.”

Thanks Buzz!

dnj Gallery Staff

Michael Eastman_GW #2_30x30
Michael Eastman, GW 2, plexagraph, 2010, 30" x 30"

Maria Luisa Morando_Silver V
Maria Luisa Morando, Silver V, c-print, 2009, 48" x 48"

Saturday, March 5, 2011

Opening Reception: Michael Eastman & Maria Luisa Morando

Please join dnj Gallery on Saturday, March 26, 2011 from 4-6pm for the opening reception of Michael Eastman's Plexagraphs and Maria Luisa Morando's Silver exhibitions.

March 26, - May 28, 2011

Michael Eastman_GW #2_30x30
Michael Eastman, GW #2,
plexagraph, 30" x 30"

Maria Luisa Morando_Silver V
Maria Luisa Morando, Silver V,
c-print, 20" x 20"

dnj Gallery is pleased to announce its upcoming exhibition of the newest work by the artist Michael Eastman, entitled “Plexagraphs.” In Gallery II, we present the artist Maria Luisa Morando with her current series, “Silver.”

Michael Eastman’s prior work featured photographs of richly colored American landscapes and captivating architectural settings. In this new series, he focuses on much smaller objects, windows and building design elements. As before, Eastman portrays a nostalgic elegance. But the artwork is as much about the presentation of the photograph, as the photograph itself. Eastman has developed a new process (patent pending), in which he prints two nearly identical shots on different pieces of Plexiglass. The result is a layered, sculptural photograph. As he states, “I have worked with all kind of mediums and surfaces and techniques that seemed to mostly artify the surface of the image but left the image still only representational. After years of exploration, I discovered a new medium that enabled me to create abstractions and print them so they now were my photographs of my paintings.”

This is Michael Eastman’s second solo show with dnj Gallery. He has exhibited across the country and his work is included in several esteemed institutions, such as the Los Angeles County Museum of Art, the San Francisco Museum of Modern Art, Metropolitan Museum of Art, The International Center of Photography, The High Museum of Art and the Art Institute of Chicago.

Maria Luisa Morando continues her comments on the ocean and the landscape of the coast. Like memories, her images are both familiar and elusive. Morando’s intentionally overexposed images erase the distracting details in the landscape and provide a moment or time without limit. Her scenes offer a true sense of space. As the art critic Michael Buitrón writes, “Because of the lack of sharp detail, it becomes impossible to explore the images for their specificity, and instead they open up and play to any seaside memory the viewer cares to pour into them.”

Maria Luisa Morando is collected privately throughout England, France and Italy and recently sold two photographs at the Foundation For Woman Artists in London England. She has exhibited across the United States, with an emphasis in Southern California.

Please contact the gallery for more information or images.

Friday, January 15, 2010

Miracle Mile Art Walk and DNJ Closing Reception



Please join Annie Seaton and Maria Luisa Morando for the closing of "Going Home: Toronto" and "Aqua & White," on Saturday, January 16th at DNJ Gallery. The artists will be in attendance from 6-8 pm. The reception is being held in conjunction with the Miracle Mile Arts District ArtWalk, which kicks off 2010 with a full schedule of artist talks and receptions throughout the Miracle Mile Arts District.

Wednesday, November 25, 2009

DNJ Gallery Holiday Editions Now Available

DNJ Gallery is pleased to present Holiday Miniature Editions - a special series of limited edition, photo-based works by eleven gallery artists. The works vary in size and edition, and range in price from $40- $100. A limited number of full-set editions are available for $500. Created to entice your inner art collector and encourage art-giving this holiday season, the miniatures provide an affordable way to build a contemporary photography collection. DNJ Miniatures are available for purchase individually or as a full set. Please contact the gallery for further information. office@dnjgallery.net

Click the Holiday Miniature link above or the artists links below to scroll through all available images.

Miniature works are available by:

Maria Luisa Morando, Annie Seaton, Jane O'Neal, Jona Frank, Richard Gilles, Darryl Curran, Laura Parker, Bernadette DiPietro, Anne Veraldi, Patrick Wymore and Dylan Vitone

Morando_AQUA-IIIa_5x5
Maria Luisa Morando

Seaton_8x8
Annie Seaton

Evergreen Elm
Jane O'Neal
See Environmental Memory: Part I - Home Grown
series for all available miniatures by Jane


Frank_jordan_rodeo_mt_8x10
Jona Frank

Gilles_15012_w_avenue_D_3.5x8.5_2009
Richard Gilles

Curran_hammer_prints
Darryl Curran
Images available in three colors shown

Parker_dried-lizard-back-black_7x7_or_10x10
Laura Parker

Bernadette_kansas_city_
Bernadette DiPietro
Call gallery for all available
miniaures by Bernadette


Veraldi_Row_Boat_Cprint_4x5
Anne Veraldi

pwymore_miniature11
Patrick Wymore

Vitone_Graffiti_Writers
Dylan Vitone

Tuesday, November 24, 2009

Maria Luisa Morando Featured on PIX Feed LA

DNJ Gallery artist, Maria Luisa Morando and her exhibition titled Aqua & White, are spotlighted on PIX Feed LA blog! This exhibition is running now through January 16, 2010, so be sure to stop by for a visit.

"... By overexposing the camera, my world becomes clutter free, enabling the viewer to experience the moment and therefore really see it, feel it and connect with it. Like memories, these images have the seemingly counter-intuitive qualities of being highly defined, yet at the same time, being impossible to get close to, no matter how much the viewer tries.

By removing the clutter, the viewer is freed up to respond to the work almost as if they can hear the image. Without the surplus detail, the other senses can come into play, making it easier to hear the waves, feel the heat of the sunlight and taste the salt air. The lack of clutter gives tranquility about the work. "


AQUA I
Maria Luisa Morando, Aqua I, digital c-print, 2009, 48 x 48 inches

Saturday, November 21, 2009

Maria Luisa Morando Featured on Lenscratch

Check out this awesome Lenscratch blog about Maria Luisa's Aqua & White exhibition here at DNJ Gallery!

I remember when I first came across Maria Luisa Morando's exquisite work. It was in 2008 at Photo LA, in the photoeye Gallery booth. Her large, all white prints were framed in white and a contrast to the riot of imagery that surrounded it. The images were quiet, bleached out, as if looking at a dream, and I was completely transfixed. Whatever shapes or colors were able to emerge from the whiteness were like jewelry, tiny slivers of turquoise and rose, with washes of pale aqua and butter so faint that you had to work hard to see them. Those images stayed with me.

Several months later I invited Maria Luisa to speak in one of my classes, and she was anything but bleached out. Maria Luisa is a lively, beautiful British photographer, full of intention and intelligence. She spoke of how The White Series came out of the horror of 911 and as a reaction to these traumatic events, she wanted simplicity in her life. Now living in Los Angeles, Maria Luisa uses the coastline to find the the visual restraint and clarity that suits her vision.

Her new addition to this work, The Aqua Series, will be shown along side The White Series at an exhibition at the DNJ Gallery in Los Angeles. The show opens tonight and runs through January 16th.

Our lives are defined by moments.

Our memories are a series of moments that capture our lives and frame the emotions that surround them. The emotions are fluid, but the moments are both singular and eternal.

These timeless photographs capture a series of moments and allow the viewer to explore the emotions that ebb and flow with them. Like memories, these images have the seemingly counter-intuitive qualities of being highly defined, yet at the same time, being impossible to get close to, no matter how much the viewer tries.


Maria Luisa Morando, AQUA IV, 2009
Maria Luisa Morando, Aqua VI, 48" x 48," digital c-print, 2009

Tuesday, November 17, 2009

Please be sure to stop by DNJ Gallery to see Aqua & White by Maria Luisa Morando and Going Home: Toronto by Annie Seaton. The show will run through January 16, 2010.

View photos from the opening below:

Miracle Mile Art Walk and Artist Talk

Be sure to join us for this month's MM Art Walk hosted by DNJ Gallery this Saturday, November 21, 2009 from 4 - 7 pm! Along with refreshments, both Maria Luisa Morando and Annie Seaton will be giving artist talks at 4:30 pm, so please be sure to stop by for some fun, food, and art!

Maria Luisa Morando, AQUA V, 2009
Maria Luisa Morando, Aqua V, digital c-print, 2009

Harbord_St_12x12
Annie Seaton, Harbord St., c-print with acrylic inks, 2009

Tuesday, November 3, 2009

Maria Luisa Morando Featured in the November Issue of ArtScene

DNJ Gallery artist, Maria Luisa Morando, is a featured artist in this month's ArtScene.

This exhibition runs from November 14, 2009 - January 16, 2010 so please stop by the gallery for a visit!

Maria Luisa Morando, AQUA V, 2009
Maria Luisa Morando, Aqua V, 2009


by Michael Buitrón

In theater design, it is often the barest suggestion of an image that suggests a particular time and place. A few bricks sketched on a dark wall, and the stage is transfigured into a dark and foreboding alley. In a similar way, Maria Luisa Morando’s photographs are so washed in light that only the barest traces are left to represent landscapes where sand and water interplay to form the shore. From her early years in theater and costume design, Morando brings an eye that is skilled in developing the essential, leaving details to be fleshed out in the mind of the viewer.

“Aqua and White” is a series of large-scale prints that, installed in the long and narrow exhibition space transform the room into an installation, beckoning the viewer to step into the image. With her cool gelato colors and sunlight reflected off the sand and celadon waves, she evokes fond memories of summer days. Because of the lack of sharp detail, it becomes impossible to explore the images for their specificity, and instead they open up and play to any seaside memory the viewer cares to pour into them. In “Camera Lucida” Roland Barthes referred to photographic details that create an intense, personal response, as the punctum. For images that are essentially punctum-free, Morando moves out of the way, allowing the viewer to find their own point of entry into the briny blur.

Having grown up in a small village in Great Britain that was, “as far from the sea as one could possibly get,” Morando’s childhood holidays created her first memories of the seaside as a place of retreat and contemplation. In the anxious and stressful days after September 11th she journeyed to the French coast at Biarritz, where she found both solace and her photographic muse in the shoreline. Like land and water’s eternal compromise that interplay and define the shore, these early works were titled with words from the Lord’s Prayer translated into Arabic, and the geography of the coast became a hopeful metaphor for the peaceful potential of East meeting West.

In the years since then, Morando’s seascapes have expanded the opportunity for a multitude of associations. By draining her photographs of color, the artist has allowed room for the viewer to fill her work with their own associations. For “Aqua & White” her point-of-view completely removes the horizon, offering only sand and sea, punctuated by the occasional blurry cipher that stands for a beachgoer or child at play. The square picture plane, like a Tibetan Mandala, offers the viewer a point of focus and contemplation.

Maria Luisa Morando and Annie Seaton Artist Reception

DNJ Gallery is pleased to announce the upcoming exhibition “Aqua & White” featuring the photographs of Maria Luisa Morando. Gallery II presents “Going Home: Toronto” displaying unique acrylic and photographic works by Annie Seaton.

The artist reception will be held on Saturday November 14, 2009 from 6 - 8pm, and the exhibitions will run through January 16, 2010.


Maria Luisa Morando, AQUA IV, 2009
Maria Luisa Morando, Aqua IV,
2009, 12 x 12 inches

Annie Seaton, Island Ferry with  Two Bouys, 2009
Annie Seaton, Island Ferry with Two Bouys,
2009, 36 x 24 inches